Saturday, February 22, 2020

Sakuntala af Gert Maarløv Nikolajsen

Titel:                 Sakuntala
Forfatter:         Gert Maarløv Nikolajsen
Udgivelsesår:  2019
Forlag:              Forlaget mellemgaard
ISBN:                9788772184463 
Sider:               310



Sakuntala tager fra første ord læseren på en rejse cirka 170 år tilbage i tiden til midten af atten hundrede tallet, ikke blot historisk, idet bogen drejer sig om Holger og Vilhelmine Drachmanns liv, men også sprogligt.

Undertiden kan denne biografi virke en smule som lidt af en gengivelse af andre tekster om Holger Drachmann. Jeg savnede i starten det analytiske, som dog gradvist træder frem fra skyggerne. Sproget kan forekomme tungt og forældet, men samtidig en forfriskende afveksling fra det i dag rædsomme moderne danske sprog, som ofte forekommer flat og importeret med utallige låneord fra særligt engelsk i mangel på nudanskerens kernedanske ordforråd.

Denne sproglige rejse tilbage i tiden gemmer på literære juveler, som savnes i det mediesprog, som vi bombarderes med i dag. Man skal måske vænne sig lidt til tonen og sproget, end dog oversætte nogle af de gamle udtryk, som ligger latent i en fra ældre litteratur, man forlængst har glemt, men som på grund af Sakuntala pludselig får luft igen. Men når det er er sagt, var læseoplevelsen glædelig på dette område.

Et univers, Holger Drachmanns univers, åbnes op for læseren. En spændende fortælling om hans liv og professionelle dannelse, som spredte sig vidt og bredt.  Understiden antages det, at læseren enten kender til Drachmanns vaner m.v. i forvejen eller at det ville være oplagt at medgive forfatteren hans holdninger. Dette kan virke let anmassende, men det kunne også blot være forfatterens indlevelse i sit arbejde, der gør, at denne næsten lune tone tages i brug, til trods for, at den undertiden bryder sprogligt med den generelle tone i teksten.

Overordnet er Holger Drachmanns liv spændende at læse om, men jeg kan ikke undgå at kritisere korrekturlæseren og redaktøren af bogen. Bogen mangler gennemarbejdelse fra dette perspektiv. Det virker som om, de er kommet meget hurtigt igennem det.

Selv om det er fint, at læseren får oplyst fødsels- og dødsår for de pågældende personer i bogen, ville det være ønskelig at om der var flere kildereferencer i stedet for. Bogen indeholder adskillige kilder og uddrag fra disse, men mangler reference til dem. Disse kilder ville være oplagte om forfatteren havde arbejdet mere med i form af analyse, fortolkning og diskussion efterfølgende hvert citat.

Trods de mange, lange uddrag af kildetekster, inddrager forfatteren adskillige spændende historiske begivenheder fra ind- og udland, som behandles med forkærlighed til Holger Drachmanns liv og bedrifter.

Uddrag:

"Ude i den store verden åbnede englænderne Suezkanalen, og Fjernøsten kom med et slag næsten ind i europæernes dagligstuer. Den populære general Grant blev præsident i USA, det ses fra tid til anden, at populære krigshelte bliver valgt til præsident. Tolstojs Krig og fred udkom i Rusland. Og det var netop samtidigt med, at Knippelsbro blev åbnet mellem Christianshavn og Slotsholmen, at Holger Drachmann og Vilhelmine Erichsen slog sig ned i København. Til en start satte man residensen op i Bredgade hos den gamle professor."

Drachmanns liv var fyldt med drama, idet han ofte trådte ud af den traditionelle rolle, som forventedes af borgerne, som da han giftede sig med Vilhelmine.

Uddrag:
"... så var der bryllup i Garnisions Kirke. Vilhelmine var i hvid kjole med indiskrete sorte striber. Stoffet var hjembragt af hendes udkårne fra England. Eneste gæst var forloveren den senere kendte radikale politiker Viggo Hørup, der jo var meget nær ven af familien, ellers var der kun lige de allernærmeste. Det viste sig, at der var en del klerikale forviklinger forbundet med højtideligheden. Præsten, som viede de to erklærede ateister, blev da også senere frakendt retten til at føre kjole og krave. Et andet problem var, at brylluppet ikke blev afholdt i Garnisons Kirke på Sankt Annæ Plads, der jo var familiens sognekirke."

Grundet de tekniske elementer i Sakuntala, som forlaget burde have haft øje for, anbefales bogen dog med anbefaling om, at man ser bort fra disse elementer. Der hersker ikke tvivl om, at forfatteren har investeret meget tid og arbejde i Sakuntala, men det anbefales, at han ved næste projekt anvender en rådgiver i arbejdsforløbet og så afgjort en anden korrekturlæser og redaktør.

Hvad jeg dog giver positiv kritik er, at forfatteren har trukket frem fra skuffen en betydelig dansk historisk person, som vi ikke bør glemme, særligt i et land der i dag er præget af rasende multikulturalisme, som meget uheldigt begraver dansk prisværdig kultur.

Gert Maarløw Nicolaisen har tidligere udgivet vikingeromanen Nornespind. Desuden står han bag titler som Blå Ballader og Rød Cyklus. Han har et borgerligt arbejde som tekniker og laboratoriekoordinator, der bringer ham i berøring med de nyeste landvindinger inden for blandt andet biovidenskaberne, men hans uddannelses- og erhvervsmæssige baggrund er bredere end som så. Og så har han siden ungdommen skrevet rockmusik, viser, ballader og prosa. Med bogen Sakuntala ønsker han blandt andet at puste til et spørgsmål, om der i den moderne verdens nedladenhed over for romantikkens værdier ligger en kilde til de alvorlige problemer, vi ser os stillet over for i dag?

Bogen er tilgængelig hos din boghandler eller hos Forlaget mellemgaard.

Thursday, February 6, 2020

GAP: Generic Acquisition Protocol

Title:              GAP: Generic Acquisition Protocol
Author:         Christopher Lee Nordloh
Year:              2019
Publisher:     Book-Art Press Studio
ISBN:             978-1-950024-84-1
Pages:           212


"If a police officer wants to question a child and the parent invokes the child's right to have their legal guardian present, or their right to an attorney, can the State seize custody of the child without the parent's knowledge and proceed with the interview?"

This question caught my attention when I first glanced over the abstract of this highly disturbing revelation of what is happening inside the child protective service system in Colorado, but likely not unique to that state. Can the authorities really remove, unbeknownst to the parents, a child and place the child in a corrupt system?

It seems to be the case, as Christopher Lee Nordloh reveals in his nonfiction book GAP: Generic Acquisition Protocol. I had heard of cases of wrongful removal of children from their parents, but never have I heard of cases so outrageous and grotesque as what Nordloh describes, when a mother in Colorado loses her daughter as her constitutional rights are violated.

Christopher Lee Nordloh examines the case of a minor child, Joy (not her real name), who was removed from her mother through GAP and never returned again. GAP uses a manufactured excuse to take custody of a child. It is a "one-size-fits-all" allegation against the parent, a measure that should leave any parent - good and bad ones - seriously concerned with the system we live in. The corrupt judge uses a fraudulently fabricated excuse for the court to accommodate the needs of the State of Colorado to accomplish this task.

Nordloh describes in detail the GAP process, using a real case, assisted by extensive evidence, as he exposes corruption. This book gives you the chills! I could not put it down. I could not help but think of two cases I personally knew of where the state had removed children, whom they had no reason to remove, of which one was U.S. military family and the other a hard-working, legal immigrant. Nordloh's book is aggravating, scary, and treasured at the same time. Aggravating because we don't want to think that child protective services is corrupt, that it might even be another source of human trafficking. Scary because this story is not fabricated Hollywood garbage but a true story right in our modern day America. And treasured because without courageous individuals, such as Nordloh, we might never know that these horrific cases happen right under our very noses.

I give this book straight A's. It is well-documented, thorough, straightforward, and follows a strategy used in courts but described so that anyone can understand it. Of the 212 pages, 138 pages are supporting exhibits proving Nordloh's arguments, which is greatly appreciated to thoroughly understand what happened in this case. It is not just a story. It is a case, one that is highly recommended to read by any parent but also any family attorney.

Review by Publisher Karina Schmitt of Sophie Publishing House, Inc.
www.SophiePublishing.com

Tuesday, July 2, 2019

Governing the Affairs of the People



Title:                Governing the Affairs of the People
Author:           Rogers, Steven
Year:                2014
Publisher:       Xulon Press
ISBN:               978-1628716771
Pages:             137


A guide for local government elected officials written by Steven Rogers; this little blue book is an interesting read, which unlike many books on political affairs, does not promote a specific political platform, philosophy, nor party affiliation. It is not about promotion of a political candidate who tries to tarnish the reputation of their opposition. Nor is it about how to get rich fast using politics as its vehicle, in lieu of finding employment elsewhere or getting off public assistance, as some politicians have done.

Governing the Affairs of the People starts out with a quote from a statesman - or woman - most admirable, namely Queen Elizabeth I of England (1533 - 1603) who said:

"To be a king and wear a crown is a thing more glorious to them that see it than it is pleasant to them that wear it."

A leader, not a career politician, Queen Elizabeth I is known for her unconventional ways for a woman of her time to lead a nation for forty-five years until her death, while challenging and defeating the Spanish King Philip II in the Spanish Armada. Some scholars have argued that the Queen ruled her Empire Machiavellian style, even claiming without solid proof that she used Nicholas Machiavelli's famous guidebook to state leadership, The Prince (written in 1513 and published in 1532, a year before the Queen was born), as her literary mentor.

Having studied and written about Her Majesty and the Spanish Armada, I am not  convinced that Elizabeth I (only) used The Prince to assist her in becoming one of history's most remarkable statesmen of all times. In fact, given her strong Protestant conviction and her consistent rejection of the power hungry, scrupulous, and murderous King Philip II of Spain, whose only objective was to gain territory and spread the Catholic Church in cooperation with the Pope, I am more convinced she found guidance in Biblical teachings.

Steven Rogers asks "As I travel the political landscape I ask, whom can I trust and form whom can i find guidance?" (pg 9).

This question alludes to what the reader is about to be introduced to, namely a account on how one distinguishes between a true leader and a career politician with the guiding light of God by his side always.

Steven Rogers recognizes that many officials "who begin to read this book will never finish it," as they will be too afraid to finish it (pp 17), but one is a fool if one does not read to the end.

Whether you consider yourself religious, regardless of religious affiliation, or not, Steven Rogers provides invaluable guidance in leadership aligning himself with his faith. There is an interesting harmonious balance between his advise to the political leaders and using examples from the Bible in which leaders of the past have learned their lessons and how we can learn from their mistakes in modern day leadership roles.

Alan Axelrod called Queen Elizabeth I a "CEO" of her beloved England, a Captain of her ship taking full responsibility for her crew - her crew being the great people of England. Likewise, Steven Rogers provides, through Biblical examples, advise on how we select good leaders, and how political leaders maneuver through the challenges they face on their road. He presents the temptations many political leaders are likely to fall prey to, while offering solutions to how best to meet these challenges the right way and maintain integrity, honor, and respect in a dirty world.

Governing the Affairs of the People is an easy read which deserves more attention than I fear it might have received. It is a guidebook describing a code of honor many politicians, as we all know, sadly do not possess, yet the public fail to see it while blindly and foolishly trusting  deceptive faces of evil ideologies who promote government freebies for all. Nothing is free. If someone tells you otherwise, be on alert for they are trying to deceive you.

I recommend Steven Roger's guidebook even for leader of none-political character, such as those in the private sector and education. Read it for its quality advise on how to be a better the leader of your organization or classroom.

Governing the Affairs of the People is available on Amazone here.


By Karina Schmitt
Publisher, Author, and Political Activist


Tuesday, May 28, 2019

Cuban American Political Culture and Civic Organizing by Robert M. Ceresa




Author: Ceresa, Robert M. 
Publishing Year: 2017. 
Title: Cuban American Political Culture and Civic Organization.  
Publisher: Palgrave MacMillan.

From the standpoint of proofreading and editing, the literature is mediocre because of certain redundancies. Whether this is due to insufficient editing or done deliberately to try to drive down a specific narrative, as the material is intended for college students, is unclear. There are also parts where the writer expresses himself obscurely which repeatedly forces the reader to reread a sentence or paragraph to decipher precisely what he intends to say, as it lacks clarity. Because this is not a book review, I will not discuss specifics in this paper but will be reviewing the text in a separate book review later.

Ceresa’s research assists in understanding the Cuban culture relative to Cuban voters and why voting rights for most Cubans is fundamental to life. In Chapter 5 Political Theory as Political Culture he provides insight into how the Cuban culture approaches politics and the community they construct and identify with. He highlights how one’s political culture is reflected in the “shared values, beliefs, and identity and interest people inherit from their social network (Ceresa. 2017:77). The construction of micro-societies with local communities is analyzed and discussed in this chapter which serves as background education for the analysist of a project such as this paper. For the Cubans, the ideals they construct within their own micro-society, such as for example the Republican Club of South Dade, start at the local level and pro-actively reaches out to the state and national level. They are based on relationship and report building at the local level, which Ceresa theorizes is how the Cuban voters also nurture their political society and commitment to ideals (Ceresa. 2017:78).

Ceresa appears to be openly biased and not surprisingly anti-Republican (Ceresa. 2017:3). He does not shy away from calling Fidel Castro a hero (ibid) nor applaud Obama’s attempt to reverse the hardliner stand that the United States and Cuban Miamians have taken against communist Cuba since early 1960’s, as he makes an effort to mention, as though pro-Muslim Obama identifies himself with Catholicism during his visit to the Our Lady of Charity of El Cobre in Coconut Grove, Miami, as “the US president to pay his respect there” (Ceresa. 2017:4). I find it interestingly ironic that Ceresa would praise Obama for this fake visit to Our Lady of Charity of El Cobre in Coconut Grove, Miami in an attempt to court Cuban Americans, who are predominately Catholic, as though they are oblivious to Obama’s religious affiliation.

While Cuban American Political Culture and Civic Organizing can be used selectively as material for the gaining background knowledge of the Cuban American political identity and for an understanding of what might have played a role in the shifting of some Cuban American voters to Non-Party Affiliated voters, it fails to convince me as statistics from Miami Dade County Government demonstrates over an eight year period, while the pro-Marxist agenda of the Obama Administration worked to pull voters away from conservatism, that Democrat voter registrations among Hispanics is dropping. What Ceresa may be relying on is that most students who will be reading his book will not bother to double check if the statistics supports his claims. Ceresa researches Cuban Americans in Miami from 2007-2017, which skillfully coincides with the Obama Era, but because of the publishing date of his work, it is not reflective of the Cuban American political scene during the 2018 Midterm Election, which the Greiner and Gladwin’s report from FIU’s Cuban Research Institute demonstrates the opposite of.

One thing that struck me as suspicious was his admiration for communist and political activist, Saul Alinsky (Ceresa. 2017:vii), who is known for his radical leftist perspectives, though he never joined the socialist party, and his book Rules for Radicals (1971). He is known for his work in the so-called New Socialist Movement, a movement which subscribes to the idea of New World Order in which they progress their far-leftist agenda through government handouts. Knowing that both Barack Obama and Hillary Clinton are influenced by Saul Alinsky’, Clinton writing her thesis on Alinsky, and Ceresa revealing his admiration for Alinsky, this aids to explain convincingly his advocacy for making the readers think Cuban Americans are turning leftist oriented. He uses persuasive argumentation techniques but fails to provide hardcore facts. The only thing missing here presently is proof, such a copy of bank transfer or a cancelled check, where Ceresa received funding for his research project from. I have my suspicions. 

Friday, April 26, 2019

Bøger fra Max Rask


Forfatter: Max Rask
Titel: Oldemors historiske opskriftsbog
År: 2018
Forlag: mellemgaard
ISBN: 978-8-93692-44-2
Pris: Kr. 195,00 (P-bog) og Kr. 149,00 (e-bog)

Titel: Vognmanden fra Kværndrup
År: 2015
Forlag: mellemgaard
ISBN: 978-87-93366-49-7



Man kan med fordel købe Vognmanden fra Kværndrup (2015) og Oldemors historiske opskriftsbog (2018) sammen, idet Vognmanden fra Kværndrup ved flere lejligheder giver referencer til opskrifter i Oldemors historiske opskriftsbog.

Oldemors historiske opskriftsbog og Vognmanden fra Kværndrup tager læseren med på en rejse  i danskernes hverdagsliv fire generationer tilbage. I Vognmanden fra Kværndrup vender forfatteren blikket tilbage til 1920'erne til familien Larsen fra Kværndrup og det med tiden voksende entrepreneur firma, som forfatteren mindes.

Max Rask, som blandt andet er radiovært og journalist, giver igennem interviews, fotos og arkivarbejde et indblik i det tidlige tyvende århundredes hverdag med familie, arbejde og kønsroller. Han linker på en fin og hyggelig måde, som får læseren til at føle sig tættere på Max Rasks familie, de to bøger. For eksempel fortæller han i starten af Vognmanden fra Kværndrup om Lauras dejlige og populære kråsesuppe, som man kan finde opskriften på i Oldemors historiske opskriftsbog. 



Jeg måtte jo som en del af denne sjove oplevelse at samlæse og anmelde samtidig begge bøger, afprøve et par opskrifter, som Max Rask fortæller om. Jeg valgte derfor kråsesuppen og den berømte brunsviger. Kråsesuppen, som man kan finde på side 112 i Oldemors historiske opskriftsbog, og som forfatteren anbefaler at lave med gæs (Vognmanden fra Kværndrup. Side 15), er ganske fortræffelig. Man lægger hurtigt mærke til, at opskrifterne er præsenteret på samme måde, som sad man overfor sin bedstemor, og spugte hende, hvordan man laver retten. Vi er i dag vant til, at alt skal skæres ud i pap, så selv en høne forstår det, men jeg husker også, som bøgerne antyder, min mormor, som remsede en masse ingredienser op samt deres mængder med cirka anvisninger. Det er en af de sjove detaljer, som man oplever ved Oldemors historiske opskriftsbog og som gør det ekstra sjovt at bevæge sig ud i.

Idet forfatteren er fynbo, valgte jeg at afprøve brunsvigeropskriften (side 165). Man skal lige tænke et øjeblik, inden man rører det hele godt sammen 😉 Opskriften på fyldet skal naturligvis oven på brøddejen, inden det hele bages. Enhver, som har bare lidt erfaring med at bage, vil kunne regne den ud. Det er en dejlig opskrift, som varmt anbefales.

Begge bøger byder på mange fine, omend gamle, billeder, så læseren visuelt kan danne sig en billede af livet og personerne, som Max Rask fortæller om. I denne slags litteratur, hvor man netop stifter personlig bekendskab med mennesker og steder, er det fantastisk godt at kunne sætte ansigt personerne. Ofte i litteratur er vi nødsaget til at forestille os, hvordan folk ser ud, men her er det så fint, at Max Rask byder os indenfor, hvis man kan sige det sådan, og lader os komme nærmere på livet og personerne.

Jeg anbefaler, at man køber bøgerne sammen, og jeg giver Max Rask et skulderklap for det store arbejde han har lagt i bøgerne. Hvis jeg skulle give dem nogen kritik teknisk, så ville det være rent redigeringsmæssigt, at jeg mener, at forlaget kunne have gjort et bedre stykke arbejde, men det er ikke noget, som Max Rask kan kritiseres for.

Strukturen og fremgangsmåden i Oldemors historiske opskriftsbog er ganske fin, idet første halvdel af bogen giver baggrundsviden om livet for en dansk familie fra begyndelsen af det tyvende århundrede og frem til cirka 1970'erne. Anden del af bogen byder på oldemødrenes gode, gamle, danske opskrifter, som man næsten kan smage i første del af bogen, når forfatteren beskriver, hvordan familien samledes om dem.

Man får også hurtigt opfattelsen af, at vi i dag desværre har ofret familiesammenholdet for den hurtige livsstil, som vi i dag oplever. Disse bøger kan bringe os mentalt tilbage i tiden, så vi ikke glemmer denne tid.  Ved gennemlæsning af opskrifterne i Oldemors historiske opskrifter kommer jeg uvilkårlig til at tænke på min gamle, slidte Frøken Jensens kogebog, som oprindelig blev trykt i 1901. Det er en gammel hjælper i mit eget køkken, som jeg har haft stående på min bogreol i mange år. Det ville ikke forbavse mig, hvis Max Rasks oldemødre har haft et eksemplar af Frøken Jensens kogebog stående.

Bøgerne er tilgængelige i landets boghandlere og på www.mellemgaard.dk. Links til bøgerne ses øverst oppe på denne anmeldelse.

Af Karina Schmitt
Forlagschef
Sophie Publishing House, Inc.
Florida, USA
www.sophiepublishing.com



Thursday, April 25, 2019

Nornespind af Gert Maarløw Nicolaisen


Forfatter: Gert Maarløw Nicolaisen
Titel: Nornespind
År: 2018
Forlag: mellemgaard
ISBN: 978-87-93692-21-3


"Det grå æbletræs første beretning" står der med mellemstore bogstaver på forsiden af denne historiske roman. Dystre, violette nuancer spreder sig ud over forsiden. Jeg åbner spændt bogen og ser teksten på flappen:

Tøkk skulle dø! Så enkelt var det. Det skulle være nu, og Gudrid skulle selv være den, der sendte kællingen til Hels port med et langt rødt spor efter sig. Hun skulle spytte og danse på troldkvindens døde lig, sprætte hende op og fodre skrigende ravne i ugevis. Hovedet på hende skulle løftes på en stang og øjnene hænges om hendes hals.

Vikingefortællingen lægger ud med et snapshot fra Island, hvor kristendommen er begyndt at sprede sig, trods vikingeånden stadig præger folks adfærd. Snart bliver læseren taget på tur til Danmark, hvor krig, vold og brutalitet karakteriserer landet.

I løbet af bogens 395 sider hersker der ikke tvivl om, at Gert Maarløw Nicolaisen besidder en enorm baggrundsviden om vikingernes historie, kristendommens grundlæggelse i Danmark og Norden, Sagaerne og vikingernes vestlige ekspansion til Grønland. Hvis han ikke gjorde det, ville det simpelthen ikke være muligt at skrive denne så virkelighedsnære roman.

Igennem personerne, såsom den kristne Gudrid i kontrast med asadyrkeren Torfin, får læseren et spændende og dybdegående indblik i denne tids samfund og deres interaktion med hinanden. I Torfins verden i Hedeby i Danmark hersker der et brutalt helvede, og forfatteren lægger ikke fingre imellem, når han med et flot sprog beskriver scenerne hele bogen igennem, som her hvor han siger:

Kvinden og de skrigende unger fanges ind og drives bundne ad sted, men deres fars blod løber mellem gadens belægningsplanker og nedad mod havnen. Byen brænder nu ikke længere stedvist, men overalt! (27).

Forfatterens fine detaljer gør denne vikingefortælling fangende. Man føler næsten, at man bliver suget ind i bogens handling, hvilket for mig er usædvanligt. Jeg plejer at kunne distancere mig fra bogen, se objektivt på dens handling, men denne bog rev mig med ind i den. Det er en roman, som man ikke har lyst til at give slip på, og jeg håber at se flere af ligende høje kvalitet fra Gert Maarløw Nicolaisen.

Gert Maarløw Nicolaisen

Det er en fornøjelse at læse en roman, hvor seksuelle og lidenskablige scener er beskrevet med fornemme metaforer frem for det platte og sommetider direkte vulgære sprog, som ikke efterlader noget som helst til fantasien. Forfatteren er mester på det sproglige, ikke kun i ovenstående scener men også i krigs- og kampscener, der balancerer mellem billedsprog og hårde, brutale beskrivelser.

Bogens sprog bærer præg af forfatterens kendskab til ældre danske udtryk, hvilket gør den til en særlig oplevelse rent sprogligt.

Denne vikingeroman kommer oprigtigt langt omkring i Danmarkshistorien, hvor den blandt inddrager Harald Blåtand, Sven Tveskæg og Trelleborg på Sjælland. For de læsere, som har besøgt Trelleborg og kender til historierne om Harald Blåtand og Sven Tveskæg, kan de sikkert nikke genkendende til mange elementer i Nornespind, som trækker på historien. Forfatteren beskriver blandt anden kort Haralds personkarakteristik, der adskiller sig fra Svens, med ordene:

Harald havde år tilbage overladt hirden og flåden til Sven. Ikke mindst, fordi Sven brændte med hele sin barske natur for hirden og flåde, imens gamle Harald i langt højere grad var en politisk mand, der tænkte i magtbaser, alliancer, regering og i sidste ende velstand og blivende sport til eftertiden (274).

Af både fiktion, men også vikingefortælling, er Nornespind blandt de bedste, jeg til dags dato har læst. Gert Maarløw Nicolaisens Nornespind fangede mig fuldt ud lige så meget, som de opslugende romaner i Saga fra Valhalla af svenske Johanne Hildebrandt, hvorfra kan anbefales Freja (2009), Idun (2203) og Saga (2004)

Nornespind får derfor topkarakter.

Link: Nornespind er tilgængelig hos din boghandel og på Forlaget mellemgaards hjemmeside via linket her.



Af Karina Schmitt
Forlagschef
Sophie Publishing House, Inc.
Florida, USA










Tuesday, January 29, 2019

HINKELEG af Julio Cortázar


HINKELEG
Af Julio Cortázar
Forlag: Skjødt Forlag
Dansk udgivelse: 2017
Sidetal: 490
ISBN: 978-87-92064-16-5
Oversættelse: Rigmor Kappel Schmidt
Original Titel: Rayuela
Original udgivelse: 1963
Land: Argentina



Hinkeleg af den argentinske forfatter, Julio Cortázar, oprindeligt udgivet i 1963, er en roman, som fortjener en særlig plads i sydamerikansk litteratur, hvis ikke også i verdenslitteraturen. Dette 490-siders litterære eksperiment er monumental, idet læseren indvikles i en strøm af dialoger, som ikke forklarer sig konkret overfor læseren, men involverer denne, som sendes på en udfordrende rejse.

Indledningsvis informeres læseren om bogens strukturelle inddeling. Bogens kapitler kan læses enten 1) i almindelig rækkefølge fra 1 – 56, eller 2) labyrintisk ved at starte med kapitel 73 og følge den anviste rækkefølge, som angives ved slutningen af hvert kapitel. Det kan anbefales ikke at vælge blot den ene eller den anden læsning, men at starte med 1 efterfulgt af 2 til trods for, at denne metode dog betyder, at visse kapitler læses to gange. En bredere indsigt i bogens dybde opnås ved denne læsetilgang.

Ved denne læsetilgang introdukseres læseren til bogens hovedperson, Horacio Oliveira, som er flyttet til Paris, hvor han møder La Maga. Længe efter ser han tilbage på hans flugt fra sine indre dæmoner fra hans tidligere liv i Argentina i 1950erne. Han er fængslet i den opfattelse, at han er på gale veje i livet og ser sig selv som en fiasko i en håbløs kamp med hans egen valg og fravalg. Han spekulerer undertiden, hvilke betydninger for hans liv det ville have, havde han truffet andre valg.

Oliveira har i årevis levet et nærmest nomadisk liv flakkende fra sted til sted og fra kvinde til kvinde i en konstant søgen efter hans egen identitet ude af stand til at indse roden til hans indre dæmoner. Alligevel nægter han at acceptere sig selv om en fiasko selv om, han konfronteres med denne kendsgerning i sit kæresteforhold til Maga, hvilket forfølger ham både i og efter forholdet. Forholdet kompliceres med tilstedeværelsen af Magas baby, som er syg og senere dør, hvorefter Oliveira og Magas veje skilles. 

Bogens fortæller vinkel pendulerer igennem flere kapitler fra første person til tredje person. Gradvist overgår den i en længere periode i første del til primært at bestå af dialoger, som forfatteren opfordre læseren til at udrede selv, hvilket gør Hinkeleg til en litterær rejse i filosofiske debatter, subjektets positionering af sig selv i forhold til andre samt andres positionering af subjektet, foruden at være en kunst- og litteraturdebat. Den er et gigantisk, farvestrålende litterært billede af hovedpersonens indre konflikter over en langvarig periode. Netop derfor opfordrer jeg læseren til at følge den ovenstående anbefalede læsning, trods genlæsning af nogle af kapitlerne. Læses den kun traditionelt, går læseren glip af vigtige og dybe aspekter af dette fænomenale mesterværk.

Oliveiras indre dæmoner, der som syrer ætser huller i alle hans forhold, hvad end der er tale om venskaber eller de romantiske, plager ham livet igennem. Undertiden indser han i småbidder hans uhelbredelige mistro, manglende empati og forståelse for andre, men kun længe efter skaden er sket.

Hvordan kunne jeg ane, at det, der lignede en lodret løgn, var sandt […], da madame Léonie læste i min hånd, […] ”Hun bærer på en lidelse. Hun har altid lidt” (21).

Oliveira referer til Magas fortælling om mulatten Ireneo, som hun en aften beretter om, og som Oliveira og deres ven, Gregorovius, ikke troede (185) var en sandfærdig historie. Hans mangel på empati skildres blandt andet, da han og Maga strejfer spørgsmålet om tilblivelsen af Rocamadour, Magas baby, som ikke interesserer Oliveira, idet han ikke nærer kærlighed til hende men blot begær (53). Maga er heller ikke ivrig efter at fortælle om det (42-3), men gør det alligevel. Først flere år efter igennem Talita, efter Oliveira er flyttet tilbage til Argentina, indser han med fortrydelse, at han var forelsket i Maga (411) og at det ikke blot var begær.

Hinkeleg hinker igennem hovedpersonens til tider meget bizarre tankegang, som Cortázar på genial vis demonstrerer i kapitel 34, hvor læseren får intens indsigt i Oliveiras psykologiske komposition. Cortázar benytter sig af sproglige og typografiske eksperimenter, der beskriver, hvordan Oliveira oplever at læse en bog samtidig med, at hans tænker flyver rundt i en diffus pærevælling. Ved første øjekast kan man umiddelbart være tilbøjelig til at tænke, at der må være sket en grufuld redaktions fejl i bogen eller at tro, at Oliveira er på stærke euforiserende stoffer, der totalt spiller puds med hans kognitive processer, idet to historier parallelt fortælles i hver anden linje, som læseren tvinges til at læse aktivt hver anden linje, som eksemplet (275) viser:

Jeg havde ikke været i Madrid siden Gonzáles Bra
syltetøjsmad, og du så sad ved vinduet med en rædsom
vos tid, og mine første indtryk af byen var en behagelig
mammutroman i hånden, somme tider græd du endda,
overraskelse. Jeg beundrede de smukke, nye bydele med
ja, du græd, det kan du ikke benægte, fordi nogen lige
god plads, de hurtige transportmidler, de forskønnede
var blevet halshugget, og du klamrede dig til mig og ville

Man indser dog hurtigt, at kapitlet skal læses hver anden linje og dermed essentielt to gange, hvorved man får to kapitler ud af kapitel 34: en indsigt i den bog, som Oliveira læser, og samtidig hans flyvske tanker uden for hans læsoplevelse. På denne geniale litterære facon at skrive på får læseren en knivskarp indsigt i Oliveiras komplekse psykologiske komposition.

Hinkeleg er en multisproglig identitetskonflikt roman, hvor kulturelle elementer, som den argentinske drink mate på forunderligvis får betydning i relation til nationalidentiteten, som under overfladen fylder i romanen. Cortázar inviterer læseren til kontekstuel tekstforståelse via dialogerne som hiver os med ud på vandringer i verdenslitteraturen, politiske referencer, filosofi, kunst, kultur og jazzmusik. 

Titlen er så original, som noget kan være, idet læseren sammen med bogens personer netop hinker sig igennem historie, der strækker sig over lang tid.

Jeg skal ikke ødelægge det for læseren og røbe alle bogens hemmeligheder, men Hinkeleg anbefales varmt. Skulle jeg give den karakter, giver jeg den et rent 12-tal. Der hersker ingen tvivl om, at Hinkeleg er i topklassen af argentinsk litteratur.

Bogen kan købes i din boghandel eller hos Saxo.dk her

Anmeldt af Karina M. Schmitt


Tuesday, January 1, 2019




The Beginning



The Beginning: Breath of War

By R. Malak



The Beginning: Breath of War (2017) is an action-filled, futuristic warfare story that takes place in the years between 2053 and 2061 in various locations. Crisis between man and beast permeates the lives of all. War and chaos has wiped out normality leaving the human inhabitants to fight for survival. The book written more in thematical order rather than chronological order, which is a cause for wonder. 
The intimate, close-up narration gives the reader a sense of looking over the narrator’s shoulder following the characters by the second. There is extreme proximity between action and the character’s feeling. As a reader, you can nearly feel the breathtaking pain of the characters observed.

In the beginning, it is slightly obscure what the purpose of war is, or if mankind has merely spun out of control in an endless and senseless fight against goblins and beast. We follow, among others, Talmen, who is searching for his lost brother, and Cora, who is trying to eliminate the menacing Orc. Each chapter provides insight into the struggles of the characters. As the story progresses, the purpose of the war, which I’m not going to give away, becomes clearer.

Although the book takes place in a world of despair and destruction, the author hints occasionally that there still is, though little, good left in the world such as when he says, “what his father had said about survivors being cunning and resourceful, didn’t apply to everyone. Yet, it was nice to see there was still good left in the world.” Loss is something all have experienced as consequence of war, though hope is still held by some surviving human beings.

Contrast is seen in their opponent who is described as a group of savages seeking approval of their gods. An example is when Togran states that he is convinced that the Master of Death, Lord Sezrath, is pleased with Togran by the mere blood shedding that Togran has engaged in. Another interesting scene that depicts how destruction of history sometimes occurs to form a specific, socially acceptable view of “a world” that the rulers wants us to have is when Greta takes Talman into the U.N. tent only to reveal to him the preservation of library materials still intact and saved from the savages. Similar events have occurred in history, such as during the WWII. Greta says, “We’ve lost much of our history the day those freaks arrived, this here… this is my attempt to keep a part of our history intact.” I find this sentence very relevant to the discourse in the media today where reports of marginalized groups or fundamentalists have tried to destroy history books while creating new ones merely because they do not like what once took place in history. An example is African Americans in the United States and their liberal supporters trying rewrite history, which only provides future generations with falsities, or countries such as Iran that burned Salman Rusdie’s The Satanic Versus; an attempt to erase history, literature, and culture.

Periodically, the author, through dialog, states his opinion on how to battle an enemy, e.g. when Duncan discusses war tactics to be used against the evil, savage goblins that the human survivors are battling. Here, he says that “Knowledge is Power.” Indirectly the author states that to combat an enemy once must outsmart the him and use the his own weapons against him. The author has used knowledge of military strategies in parts of his book, which increases its credibility, even if the weapons used are those of present time and not fabricated, futuristic weapons and even if in the author’s perspective of a world fifty years from now the U.N. still exists.

The Beginning is an adult, gory story about survival of the fittest, remaining human beings as they strategically attempt to fight through senseless battles with questionable purpose. The language is a bit heavy at times because of positioning of sub-clauses throughout the book, though still easy to understand.

About the Author: R. Malak was born in Egypt in 1987 and moved to Australia in 1988. He holds a Bachelor of Arts Degree from the University of Western Sydney, and has since worked as a tutor and courier. Malak is a history enthusiast and an avid gamer. He has pursued a writing career and written many online articles. The Beginning is his first novel inspired by his one of his favorite authors Robert Jordan. Additionally, R. Malak grew up reading David Gemmel, R. A. A. Salvatore, and William Johnstone.

The Beginning is published by Nuff Said Publishing sold on Lulu.com and Amazon.com in eBook and paperback format. 

Monday, December 31, 2018

City Boy Book Review




City Boy
by Greg Alvarez


The autobiography City Boy by Greg Alvarez captures the essence of his life from early teenage years to adulthood in an outrageously humous way. The book is a first-person narrative regularly addressing its audience directly in a colloquial, tranquil voice giving its reader a feeling of being in close proximity to the writer and the events unfolding in the story. 

Greg invites the reader into his crazy, funny life as his journey takes them back to the wild and carefree 1960s. It is full of entertaining stories, while giving the audience an insight into what it was like being young at that time. He is a rebellious, free-spirited youth with no interest in school. He is more concerned with having fun and hanging out with friends, while chasing girls, than crunching math problems. When Greg eventually leaves school, he sets out on his life’s journey.  

As Greg says, this is the lifestyle and awesome times that could not happen in today’s world simply because of how our world has changed. It is refreshingly nostalgic, though that in itself may be a contradiction, to be brought back several decades and introduced to a time when hitchhiking did not necessarily put your life in terrible danger. We are brought to a time when you didn’t risk getting shot by the police because you got caught with a water bong in your possession. Refreshingly, it is also an era when political correctness did not kill society and plain old good times. 

It is hard to point to just one favorite story in City Boy but one that surely made me literally cry from laughing too much was his story about crashing into a Marine’s car. His description of the event is priceless. Likewise, is his description of his boss’ Italian accent and behavior when Greg worked at a Pizzaria. Through his own charming narration, Greg adds richness and character to his life story. Additionally, we are taken on a good, old American trucker’s journey with all it entails.  

Although names have been changed, we meet Greg’s family, friends, coworker’s, lovers, girlfriends and wife through the events that shaped him from a young kid, to a rebellious teenager, and finally to an experienced adult.  

City Boy is full of sex, drugs, and free-spirited times. However, on a more serious note, Greg enters an interesting discussion of his perspective on the differences between men and women, and how they think differently. Greg openly discusses how he thinks men, contrary to women, often, if not always, distinguishes between sex and love, whereas women tend to equate the two with one another. His frankness about sexuality and testing our boundaries breaks with political correctness, which he argues permeates society, as if it is the only way to rightfully view ourselves and each other. Greg has the guts to openly discuss the topic from a man’s perspective, however with the ability to also see things from a woman’s perspective. 

City Boy is not book, as Greg also says, for the prudish, sex-phobic audience. It is a book for those who have not yet been lost to dull, modern day political correctness. It is a book for the mature audience with a open-minded sense of humor. 

I much enjoyed the read, and would look forward to any other book that Greg Alvarez may write in the future. 

City Boy is available on Amazon as eBook and paperback. 



Published: 2017
Publisher: Independent Publishing 

Sunday, December 30, 2018





English After the Fall 
By Richard Scholes 


Research Professor Robert Scholes’ English After the Fall: From Literature to Textuality (2011) is a 176-page book written for students and academics. Scholes is also known for his now classic, Rise and Fall of English.

English After the Fall is concerned with how English departments have become stuck in its old ways of reading, and writing, text. He charges that academics and scholars have become a narrow study and begs the need to reconsider a broader purpose of English studies providing university educators with improved tools to help students think critically when interpreting a text and to use textuality in reading and writing studies to improve study methodology.

As many English departments in the United States, where Scholes lectures, as well as other parts of the world, have become increasingly smaller, his book is released at the right time calling for an expansion of perspectives, study methods, and cross-studies. He argues that reading English involves writing English and vice versa, and argues that texts must be considered as being more than merely classic, literature studies.

Scholes encourages the usage of a broad range of texts – textuality – in university English departments arguing that the study of literature should encompass reading as well as writing. The book provides numerous examples, supporting Scholes’ thesis, to demonstrate how textuality works beneficially in English studies. It argues that the barrier between teaching literature and teaching writing composition must be broken down in today’s age of technology, as the drop-in humanities studies is reflected in the exponentially progressing use of technology. Scholes laments that the academic world is “constrained” to antiquated notions of literature that ignores other important text types.

Scholes supports his thesis, and the book’s title, with examples such as the need to read poems from a contextual ankle, such as reading Wordsworth from the perspective of the real problems that colored Wordsworth’s late nineteenth century world. He argues that literariness ought to be a “combination of textual pleasure and power.” Likewise, he exemplifies with the John Ford movie The Man Who Shot Liberty Valance (1962) where the protagonist uses different texts to teach reading to illiterate students. Scholes argues for the movie, as an example of how beneficial textuality usage is, that any text type must be interpreted and responded to critically, and not just at face value, to be properly and justly understood. Modern students of English must reach, interpret, reflect and criticize texts contextually and must include other types of texts in the discourse analysis, from primary and secondary sources to poems and even operas.

Conclusively, English After the Fall interprets and reflects on sphere of texts that students of English as well as their educators should consider when studying not only reading but also writing. It pleasantly provokes old, ingrown ways of studying English to rise up to the twenty-first century to encompass textuality. The only thing it does not directly address is that English studies are still to fully catch up with is contextuality where a combination of English literature, history and social studies is more thoroughly combined in some universities, as is the case in some European universities.  

English After the Fall by Robert Scholes was published in 2011 by University of Iowa Press, Iowa City, IA, USA. ISBN: 978-1-60938-055-7. English After the Falls is available in paperback on www.Amazon.com.

Sakuntala af Gert Maarløv Nikolajsen

Titel:                 Sakuntala Forfatter:         Gert Maarløv Nikolajsen Udgivelsesår:  2019 Forlag:              Forlaget mellemgaard...